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TOPICS


[Translation: Anne Clerget]
French text

 

How are informations displayed ?

Direct access to editorial

Navigation

You will find our main links at the top of each page :

* links to ArtRealite.com, Dotapea.com and Pourpre.com ;

* but also those to some important sections such as ”Topics”, “References”, “Glossary”, “News and Tips”.

The information written in the left margin is a lot more detailed and will help you, from top to bottom, to:

* get to the traditional « Who are we ?” and to the principal head of section for each topic (“Topics Navigation”);

* go from a page to another (“Page/Section Navigation”, “Articles Index”, “Sister Pages”).

Navigation through a section (and through the whole web site) can be done using the “above”, “prev”, and “next” key.
The structure can be compared to a root: “above” meaning “back to the surface”, i.e, to the general. On the other hand, “Articles Index” will lead you the ramification of the root, i.e, to the detail.

The “Sister Pages” functionality, which is unfortunately seldom implemented on the web, seemed quite useful to us. You may use it as often as you wish since it will allow you to explore directly the subjects within a level.

 

Structure

The Topics section is, with the Glossary, at the core of Dotapea.com. In fact, it gets onto the main issues in Plastic Arts and related fields (in a non exhaustive way: we planned some developments).

The other important sections are more utilitarian: “Write to us”, “References”, “News and Tips”, “Site Map” and “Search”.

The editorial point of view is a very different matter:

 

Choices at Dotapea.com

 

 

 

We try, as far as possible, to associate the products and techniques.

For instance, grouping together and partitioning everything related to oil paint, then everything related to gouache, and then to such or such discipline appeared outmoded and impractical.

In the same way, if nothing keeps you from applying oil paint on a finely primed aluminium plate or structure, a “traditional” segmentation of knowledge would not provide any explanation about two processes apparently so unconnected.

And it would not urge the reader on trying to combine them.


Besides, many products can be used in different disciplines of Plastic Arts (for ex: pigments, plaster, clay).

 

Therefore, we decided to group together all the products having the same purpose and their related processes, and not to consider any compartmentalization into disciplines.

 

 

Lime is even with linseed oil or egg, and synthetic products are even with beer glazes. Likewise, supports, preparations (pasting, coating) and priming products are located in the same chapter: “Supports, substrates and their preparation”.

 

 

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Communication