|
|
Navig.
page/section
_____
|
Copyright © www.dotapea.com
Tous droits réservés.
|
| |
|
|
Dialogs
at Dotapea
(section) |
 |
dial dial
dial
[Translation:
Anne Clerget]
French text
|
Transcribing real
discussions with scientific experts, artists and why not a cook or a
soap maker, in order to give some points of view that are more precise,
sometimes more
accurate, very often more synthetic, more human and by all means more
lively than an encyclopedic writing, is both the goal and the means of
this brand new section. |
 A
new section,
parallel to this one, saw the light of the day on ArtRéalité.com.
Its calling: to tackle all topics that are specifically more cultural
than scientific.
The Conversations
at ArtRéalité.com |
This section will not present itself like the rest of the
site, but more like a book made of chapters (see opposite
Index articles) that are nothing
else than quotes from authentic e-mail dialogs.
Within these texts, of course improvable since
practically rough, dear reader, you will find useful information that we did
not hesitate to reference more or less everywhere on Dotapea.
Have a good reading, and a good navigation!
|
Table of
contents |
|
Dialogs at Dotapea |
Conversations at ArtRéalité |
|
English
I, About binders
II, Bubbles,
siccativation, electronic structure
III, Casein, phosphorus,
dissociation
French
(translation in progress)
IV, Les orbitales
V, L'aérogel
VI, Polarisation de la lumière (avec vidéo)
VII, Sfumato et diffusion Rayleigh
VIII, Les interférentielles
IX, Dextrine, farine et chiralité (avec vidéo)
X, L'ocre
bleue
XI,
Les métamatériaux
XII, Le
jaunissement
XIII, Le laser
XIV, L'holographie
chapitre XV à paraître
XVI, Intérieur, extérieur, chaux |
French
I, About dyes,
purple... and about colour as food
Speakers :
Anne Varichon
(writer, ethnologist, archeologist)
Inge Boesken Kanold
(visual artist, expert in murex purple)
Jean-Louis
(physico-chemist at the CNRS)
Jean-Pierre Brazs
(visual artist)
Moderator :
Emmanuel Luc
|
Note:
the small picture identifying the pages of this section
is the painting Savant in a study cabinet, by Cornelis de Man
(Delft). This piece is supposed to have been sold thirteen times for a
Vermeer in spite of dissimilarities with the Master’s usual compositions and
with his almost homonym painting, The savant. The savant, like the
philosopher, the geographer, etc., was one of the themes that the Flemish
painters exploited the most. Just like them, we humbly pay tribute through
this visual to these trades and for this occasion, we remind you that this
website is dedicated to Giordano Bruno and Baruch Spinoza.
Go back
to the top of the page
|
|
Communication
|
|
